Free Cray live recordings
Thursday, May 24, 2012
Wednesday, May 2, 2012
VICMOD ENSemble release
After a great performance in Bendigo last Saturday @ the SONIC DECADENCE
the first VICMOD ENSemble release is out on VICMOD Records.
VICMOD ENS
2009 – 2012
Recorded @ locations around Melbourne, Australia.
Compiled and mix by Ross Healy.
1. Schematics On Trees 1
2. Schematics On Trees 2
VICMOD Ensemble have been
Ross Healy, Graeme Trott, Simon Birds,
Gerrard Jenner, Stephen Richards, Owen Harris,
Blake Stickland, Scott Baker and Brett Maddaford.
Machines used:
EMS Synthi AKS, EMS VCS3, EMS VCS1,
Buchla 200e, Serge Modular, Euro Modular, Frac Modular, DIY modular and various fx.
get it here http://www.vicmod.net/music/vicmod%20ens%201/vicmod%20ensemble%201.html
the first VICMOD ENSemble release is out on VICMOD Records.
VICMOD ENS
2009 – 2012
Recorded @ locations around Melbourne, Australia.
Compiled and mix by Ross Healy.
1. Schematics On Trees 1
2. Schematics On Trees 2
VICMOD Ensemble have been
Ross Healy, Graeme Trott, Simon Birds,
Gerrard Jenner, Stephen Richards, Owen Harris,
Blake Stickland, Scott Baker and Brett Maddaford.
Machines used:
EMS Synthi AKS, EMS VCS3, EMS VCS1,
Buchla 200e, Serge Modular, Euro Modular, Frac Modular, DIY modular and various fx.
get it here http://www.vicmod.net/music/vicmod%20ens%201/vicmod%20ensemble%201.html
Friday, March 23, 2012
A brilliant release on VICMOD Records from Henrik N Björkk
Music for N,N-Dimetyltryptamin
http://vicmodhenriknbjorkk.bandcamp.com/album/music-for-n-n-dimetyltryptamin

Henrik Nordvargr Björkk has since 1988 systematically explored the
broad field of the post-industrial music scene, covering noise, power
electronics, dark ambient, drone, metal, EBM, experimental electronics
and avantgarde.
In parallel to his band activities, he has pursued a solo
career with a vast amount of record releases. He is widely considered
one of the most influential and productive post-industrial artists ever.
Thursday, March 22, 2012
Interview with Keith Fullerton Whitman
Q. Do you keep the same patch for a year ie when performing Generators?
KFW: Generators - same concept, different actual patch every night. the
only constant was a quantized "note" voltage being fed into an ASR
Q: What does your current touring system comprise of?
KFW: current setup is 360hp of Euro ; 7 sub-patches. A 50s / 60s style "space
station" patch, a 70s / 80s style "synth voice", a master clock , (zorlon cannon), a digital recorder/manipulation engine (phono gene /
tyme sefari), effects-send/return, input/output, and assorted logic
Q: LAMPO set seemed to have pre recordings? What were they?
KFW: LAMPO set was playback of the GRM piece, then a 30 minute synth improv.
Q: What fx are being used live, I can hear timestretching / granular sounds?
KFW: fx for the LAMPO set were a TC "hall of fame" reverb (replacing a busted
vermona retroverb) - yes, granular from both phonogene & TS
Q: How many hours per day are spent listening to music?
KFW: Avg. 8 hours a day listening to records.
Q: How often do you record?
KFW: recording hours - Sunday / Monday morning / afternoon
Q: Are we not men?
KFW: no, we ARE devo
Friday, March 16, 2012
Control an analogue modular online
Control an analogue modular online
http://synth.media.mit.edu/patchwerk/
http://synth.media.mit.edu/patchwerk/
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